Thomas Demand 

Thomas Demand is known for making photographs of three-dimensional models that look like real images of rooms and other spaces,often sites loaded with social and political meanings. He doesnt consider himself as a photographer, but as a conceptual artist for which photography is an intrinsic part of his creative process.Having studied sculpture under Fritz Schwegler at the Kunstakademie Düsseldorf alongside Katharina Fritsch and Thomas Schütte, Demand began his career as a sculptor.In 1993, he began to use photography to record his elaborate, life-sized paper-and-cardboard constructions of actually or formerly existing environments and interior spaces, and soon started to create constructions for the sole purpose of photographing them. The photograph he takes of this model with a large-format-camera is the final stage of his work, is only evidence available as  Demand destroys his “life-size environments”after he has photographed them.

Doug Betzold

is a commercial 2D and 3D Photographer based in Seattle, Washington. Doug's career in art began when he was five, first selling a drawing to an artist in Portland, Oregon.

"It's funny but I still can remember taking the check to the bank, for 74 cents, I also knew that art would always be a part of my life.”

He studied art through school and started his professional photo career in 1999 after finishing the photography program at the University of Washington extension.

For a decade, the highlight of Doug's photographic career was the annual opportunity to produce nature landscape and wildlife calendars for the WindermereFoundation helping in their efforts to raise money for programs and people in communities through YWCA and Habitat for Humanity.

Doug returned to school to receive a BFA in Commercial Photography at the Art Institute of Seattle in 2012. Here he spent three years learning how to create images for commercial advertising as well as the latest techniques for digital production of stills and motion capture.

These 3d images are really catching to the eye as you stop and look at the d element because it so different and outside of the box as you don't expect an image to be 3d. also the series shows 3d glases in a 3d style so what is ii the image connects with the 3d element of the piece. Also this is a new technique having young people in the image fits the 3d element.